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X-WR-CALNAME:Center for the Arts Evergreen
X-WR-CALDESC:Bringing the Arts and the Community Together
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DTSTART;TZID=America/Denver:20260715T150000
DTEND;TZID=America/Denver:20260715T170000
DTSTAMP:20260114T094052Z
CREATED:20260114
LAST-MODIFIED:20260114
PRIORITY:5
SEQUENCE:13
TRANSP:OPAQUE
SUMMARY:Book Chat – July
DESCRIPTION:The Center for the Arts Evergreen Book Chat meets on the third Wednesday of every month from 3-5 pm in person or on Zoom. CAE’s Book Chat is free to all CAE members. We choose fictional AND nonfictional books based in the world of arts and culture and have lively discussions about the world of art.\n \nWednesday, July 15, 2026 – 3 pm\nThe Slip: The New York City Street That Changed American Art Forever by Prudence Peiffer\nFor just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.\nNow, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives.\nList of Upcoming Books for 2026 ( https://evergreenarts.org/cae-book-club/ )\n
URL:https://evergreenarts.org/cae/book-chat-july-evergreen/
CATEGORIES:FREE PROGRAMS
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